>>>Next
um ano a flor (sound for a performance by Sofia Dinger)
5,6,12,13 October 2024
TBA, Lisbon
———
Music for Doesdicon (by Tânia Carvalho)
19, 20, 21 September
São Luiz Teatro Municipal, Lisbon
5 November
Teatre Tarragona, Tarragona, Spain
———
Sound composition for a new work (by Tânia Moreira David)
6 November 2024
Imago Gallery, Lisbon (more info soon)
———
“Composition, situation and device“
Paper presentation at ENIM2024
November 2024
Faro, Portugal
———
New publication
Book Chapter: Score with a View – Sounding Images, Imagining Sound
Springer book: Sounding Images. Sights, sounds and sensualities
Soon
———
3 Jogos para Alvorninha
New work for Alvorninha’s Band
Caldas da Rainha
2023
———
The Sparrow
New Project around Henry Purcell, with Tânia Carvalho, Joana Bagulho, Matthieu Ehrlacher and Suse Ribeiro
Soon
<<<Past
Music for Mysterious Heart (by Tânia Carvalho)
21 September
Festival Cadences — Théâtre Olympia, Arcachon, France
25-28 September
Théâtre de la Ville, Paris
———
Artist’s Residency with Piropeep (Super8 Collective)
@ Spongé Lab Vilnius, Lithuania
August 2024
———
Campo Próximo with Matilde Meireles
Sonorities Festival Belfast
11 April 2024
———
Music for Mysterious Heart by Tânia Carvalho
Staatstheater Mainz
2 March 2024
———
“Canção Nova” with André Guedes
Serralves – O Museu como Performance
5 November 2023
Museu de Serralves, Porto
———
Music and sound for “Homenagem”, by Yael Karavan and Naomi Silman
September 2023, Brazil
4 October 2023, Faro, Portugal
6-7 October, Lisbon, Portugal
———
Publication Expansive Territories
with Matilde Meireles, Artistic Research program at Osso.
July 2023
———
Os Passos em Volta
New work with Joana Braga
Festival Temps d’Images
3-4 June 2023 – 4PM
———
Jogo Duplo
New work for Sond’Arte Trio
Festival Musica Viva, O’culto da Ajuda
13 May 2023 – 7:30PM
———
Posição Relativa
New work for Ensemble DME
Museu Nacional de Arte Antiga, Lisbon
28 January 2023 – 4PM
Arquitetura dos Sons – Fundação Calouste Gulbenkian
26 March 2023 – 4PM and 5:30PM
———
Comentário sobre “O Fantasma” de João Pedro Rodrigues
Topografias Imaginárias – O som da cidade no cinema,
Arquivo Municipal de Lisboa
November 2022
———
“Game and Spatialization in a Situated Musical Composition”
Paper presentation at ENIM2022
11 November 2022
———
S by Tânia Carvalho
Le Centquatre – Paris
27-30 October 2022
———
Doesdicon, by Tânia Carvalho
Théâtre Les Abbesses, Paris
12-16 October 2022
———
A Bag and a Stone, by Tânia Carvalho
Théâtre Les Abbesses, Paris
15 October 2022
———
Peça com Vista – Première by Larry Axelrod
Oculto da Ajuda, Lisbon
16 September 2022 – 7:30 pm
———
Era um peito só cheio de promessas de Miguel Pereira
NAVE, Santiago, Chile
27-28 August 2022
———
O Palácio, a piece by Paula Diogo and Lígia Soares
TBA Lisboa
7-11 September 2022
———
Different Takes
Music for a Super8 performance by the collective Piropeep
Boom Festival 25-28 July 2022
———
Os Passos em Volta – Trafaria, new work with Joana Braga
Trafaria
25 -26 June 2022
———
Interview for “Fora de Pé”
A podcast by Carla Lopes for Radio Antecâmara
Live – 11 May 2022
———
Interview for “Música de Invenção e Pesquisa“
A program by Miso Music for Antena 2
14 May 2022
———
Música para Uma Sucessão Inevitável de Acontecimentos
For a piece by Tânia Carvalho for National Television’s celebration of the International Dance Day
RTP – 29 April 2022
———
Music for Cisnografia – a project by Luiz Antunes and André Mendes
Museu Nacional de Arte Antiga, Lisboa
7 Dec 2021 – 27 Feb 2022
The Sparrow (album preview)
New Project around Henry Purcell, with Tânia Carvalho, Joana Bagulho, Matthieu Ehrlacher and Suse Ribeiro
29 Oct – 1 Nov 2021
———
Trabalho de Mesa in Escola dos Labirintos Osso
FOLIO, Óbidos
15-16 Oct 2021
———
Cuore, de Lígia Soares
26 Aug 2021, Centro Cultural de Lagos
27 Aug 2021, Auditório do Museu de Portimão
———
“Composition as Artistic Device“
Book chapter in “Perspectives on Music, Sound and Musicology”, Editors: Luísa Correia Castilho, Rui Dias, José Francisco Pinho, Springer International Publishing, 2021.
———
Trabalho de Mesa na Escola dos Labirintos
Osso
14-25 Jul 2021
———
ESAD.CR Sound Art students showcase @ EIRA#4
20 Jun 2021
———
Turning Backs
Project by Lígia Soares, Rita Vilhena and Diogo Alvim
CondeDuque – Centro de Cultura Contemporánea
Madrid, 4 May 2021
———
Era um peito só cheio de promessas(filme/documentário) de Miguel Pereira
DDD em casa, Teatro Municipal do Porto 21 – 23 Apr 2021
Teatro Municipal São Luiz (online) 29 Apr – 2 May 2021
———
ESAD.CR Sound Art students showcase @ EIRA#3
16 Dec 2020
———
Osso Research @ EIRA#3
Matilde Meireles and Diogo Alvim in conversation with Osso Research residents.
17-18 Dec 2020
———
Folies Charbon for 8 brass instruments sets to sound a specific urban configuration determined by the specific conditions of the Chapelle Charbon development in Paris.
Published in “Scoring the city“, a project by Gascia Ouzounian (University of Oxford / Recomposing the City) and John Bingham-Hall (Theatrum Mundi)
———
Ladrão de Barulhos
By Diogo Alvim and Inês Botelho with Marta Cerqueira
Lu.Ca, Lisboa
25-29 Nov 2020
———
Livro: Poema-Livre de Sara Vaz e Marco Balesteros
Teatro Municipal da Guarda
24 Oct 2020
Campo Próximo – Concert
With Matilde Meireles,
Panteão Nacional, Lisboa Soa
26 Set 2020
[CANCELLED – COVID19]
Campo Próximo – new research residence + concert with Matilde Meireles
Osso – São Gregório/ Caldas da Rainha
May 2020
[CANCELLED – COVID19]
Era um peito cheio de promessas by Miguel Pereira
Teatro Municipal São Luiz, Lisboa
26-30 Apr 2020
———
[CANCELLED – COVID19]
Da Nova Arte de Fazer Ruínas
Project by Beatriz Cantinho with Ricardo Jacinto and Diogo Alvim
Convento de São Francisco, Coimbra
21 Mar 2020
———
[CANCELLED – COVID19]
Livro: Poema-Livre de Sara Vaz e Marco Balesteros
Teatro Municipal da Guarda
20 Mar 2020
[CANCELLED – COVID19]
Fragmentação e Dispersão, concerto com Ricardo Jacinto
Escola das Artes – Universidade Católica do Porto, Auditório Ilídio Pinho
19 Mar 2020
———
Campo Próximo – Concert
With Matilde Meireles, part of Invasor Abstracto, a project by Osso Colectivo
Convento de São Francisco, Coimbra
24 Jan 2020
———
Era um peito cheio de promessas by Miguel Pereira
Auditório Nacional del Sodre Dra. Adela Reta, Montevideu, Uruguai,
6 -7 Dec 2019
———
Campo Próximo
Installation with Matilde Meireles, part of Invasor Abstracto, a project by Osso Colectivo
Convento de São Francisco, Coimbra
30 Nov 2019 – Mar 2020
———
A Bag and a Stone by Tânia Carvalho
Cinetratro Avenida, Castelo Branco
20 Nov 2019
———
Tracking the Creative Process in Music Conference
Paper presentation: “Composing with real-world programmes”
FCSH NOVA University, Campolide Campus, Lisbon
10 Out 2019, 13:30
———
Installation by Marco Balesteros and Sara Vaz with Diogo Alvim,
from Ensaio para Livro-Caractere.
FOLIO Festival Literário Internacional de Óbidos
Capela de São Martinho, Óbidos
10 Out – 13 Out 2019
———
Musica Hoje
Interview by Miso Music and Mic.pt for radio Antena 2
6 Set 2019
———
Sopa-Concerto-Caractere
Performance with Marco Balesteros and Sara Vaz,
(from Ensaio para Livro-Caractere)
Atelier Real, Lisboa
20 July 2019
———
Installation by Marco Balesteros and Sara Vaz with Diogo Alvim,
from Ensaio para Livro-Caractere.
In the exhibition “A Incontornável Tangibilidade do Livro ou, o Anti-Livro”
Museu do Chiado, MNAC, Lisboa
22 Mar – 4 Aug 2019
———
Sound composition for Astray, a film by Caroline Mesquita
carlier | gebauer, Berlin
7 June – 20 July 2019
———
Sopa-Concerto-Caractere
Performance with Marco Balesteros and Sara Vaz,
(from Ensaio para Livro-Caractere)
ZDB Lisboa
1 July 2019 10pm
———
Turning Backs
Project by Lígia Soares, Rita Vilhena and Diogo Alvim
Portuguese Platform for performing arts -PT.19
Montemor-o-Novo, 6/7 Jun 2019
———
Doesdicon
by Tânia Carvalho for Dançando com a Diferença dance company
Portuguese Platform for performing arts -PT.19
Montemor-o-Novo, 8 Jun 2019
———
Sound composition for Astray, a film by Caroline Mesquita
Galeria Municipal do Porto
16 Mar – 19 May 2019
———
Sssssss, Tric Tric Tric Tric Tric, Brlblrblrblr Aaahhh!
Music for a Super 8 performance by Francisca Bagulho, Manuel Henriques and António Gomes.
FICLO, Festival Internacional de Cinema e Literatura de Olhão
República 14, 13 Apr 2019
———
A Bag and a Stone by Tânia Carvalho.
Cinemateca Portuguesa, 14 Mar 2019, 9.30pm
Teatro Académico Gil Vicente, 1 Apr 18h30
———
Da Nova Arte de Fazer Ruínas
Project by Beatriz Cantinho with Ricardo Jacinto and Diogo Alvim
Centro Cultural e Congressos – Caldas da Raínha, 9 Mar 2019
———
Ensaios para Livro — Caracter #2 do Som
de Sara Vaz e Marco Balesteros
Rua das Gaivotas 6, Lisboa – 25 e 26 Jan 2019
———
S and Olhos Caídos by Tânia Carvalho
Teatro Rivoli, Porto – 21, 22, 23 Sep 2018
———
Cuore by Lígia Soares,
Walk & Talk Azores, Terceira – 10 Oct 2018
———
A Bag and a Stone by Tânia Carvalho.
Teatro Viriato, Viseu – 18 Nov 2018
———
Cuore
by Lígia Soares,
Walk & Talk Azores – 8 July 2018
———
Turning Backs
Project by Lígia Soares, Rita Vilhena and Diogo Alvim
Walk & Talk Azores – 11 July 2018
———
Piropeep
Music for a Super 8 improv performance
Francisca Bagulho, António Gomes and Manuel Henriques
Cineclube de Tavira, 7 July 2018
———
Matéria Prima
Concerto do EME (Ensemble de música Electrónica) da ESART (IP Castelo Branco)
Festival Musica Viva 2018, O’culto da Ajuda, Lisboa – 23 May 2018
Serralves em Festa – 3 Junho 2018
Centro Artístico Albicastrense – 7 Junho 2018
Museu dos Texteis, Cebolais de Cima – 8 Junho 2018
———
Doesdicon
by Tânia Carvalho for Dançando com a Diferença dance company
Teatro Municipal de Guarda – 18 May 2018
Centro de Artes de Ovar – 25 May 2018
Cine-Teatro de Torres Vedras – 26 May 2018
———
Desk Job @ CHANTIERS D’EUROPE
Résidence à la Cité Internationale des Arts, Paris
Support: the City of Paris, (residency program of the Cité international des arts); Théâtre de la Ville – Paris (Chantiers d’Europe), CESEM.
29 Apr – 28 May 2018
———
Apartamento em Lisboa (narrador presente)
Festival Musica Viva 2018
O’culto da Ajuda, Lisboa
23 May 2018, 22:30
———
Music for “A Bag and a Stone” – a dance piece for screen by Tânia Carvalho.
16 May 2018 – Espace Pierre Cardin (Théâtre de la Ville) Paris.
29 Apr 2018 – Centro Cultural Vila Flor, Guimarães.
———
Prize for Excellent RC Exposition by the Society for Artistic Research:
Trigger Place — A Game of Sound and Architecture
Multimedia paper about PLAY published on the Journal of Artistic Research, with Matilde Meireles
Presentation at the 9th SAR International Conference on Artistic Research, Plymouth, UK
11-13 Apr 2018
———
As the World Leaks into the Work: Composition and architecture
Paper published in ‘Organised Sound’ Vol 23 Special Issue 1 (Context Based Composition),
April 2018
———
Music for “S” – dance piece by Tânia Carvalho
National Dance Company/ Portuguese Symphony Orchestra
+ Distância (Ocupação 3)– electroacustic, used in “Falling Eyes”, by Tânia Carvalho
22 Feb – 4 Mar 2018 – Teatro Camões, Lisbon
———
Music for “A Bag and a Stone” – a dance piece for screen by Tânia Carvalho
6 Feb 2018 – Teatro Maria Matos, Lisbon
———
Turning Backs
Project by Lígia Soares, Rita Vilhena and Diogo Alvim
19 – 20 Jan 2018 – Macau City Fringe Festival
———
2017
———
Trigger Place — A Game of Sound and Architecture
A multimedia paper about PLAY published on the Journal of Artistic Research
with Matilde Meireles
———
Lem Score, part of Tłumaczenie published in Where ever you find it,
an online project by Daniela Silvestrin
for The House of Dust Exhibition, CNEAI, Pantin, France
———
Desk Job – Material Music for Habiter l’Exposition – The House of Dust
about a work by Ramiro Guerreiro
18 Nov 2017 – CNEAI, Pantin, France
———
Turning Backs
Project by Lígia Soares, Rita Vilhena and Diogo Alvim
O Museu como Performance
10 Set 2017 – Fundação de Serralves
———
1/500 Concert/ installation
for Territórios Temporários, project directed by Nuno Torres
17h-21h, 13 Set 2017 – Trienal de Arquitectura de Lisboa
———
Da Nova Arte de Fazer Ruínas
Project by Beatriz Cantinho with Ricardo Jacinto and Diogo Alvim
4 Oct 2017 – Arquipélago Centro de Artes Contemporâneas, São Miguel, Azores.
12-13 Oct 2017 – Teatro Thalia, Lisbon.
———
Doesdicon
by Tânia Carvalho for Dançando com a Diferença dance company
26 May 2017 – Teatro Viriato, Viseu.
2-4 Jun 2017 – Mudas – Museu de Arte Contemporânea da Madeira.
———
Underscore
Festival de Música, Som, Imagem em Movimento e Arquivo
13-17 Jun 2017 – CCB, São Jorge, Cinemateca, Lisbon.
———
Turning Backs
Project by Lígia Soares and Rita Vilhena with Diogo Alvim
24, 25 May 2017 – Rotterdamse Schouwburg, Rotterdam.
———
Trabalho de Mesa
in collaboration with Laboratório de Música Mista da ESML
25 May 2017 – Festival Música Viva. O’culto da Ajuda, Lisbon.
———
Glimpse – 5 Room Puzzle
by Tânia Carvalho
4 May 2017 – Festival DDD. Teatro Campo Alegre, Porto.
———
Presentation at Dois acontecidos happenings & outras performatividades
21 Apr 2017 – Escola Superior de Música de Lisboa.
———
Luciano Chessa & the Orchestra of Futurist Noise Intoners
Participation in the Intonarumori orchestra
13 Apr 2017 – Teatro Maria Matos, Lisbon.
———
Turning Backs
Project by Lígia Soares and Rita Vilhena with Diogo Alvim
8, 9 Apr 2017 – Espaço Alkantara, Lisbon.
———
Laboratório de Música Mista da ESML
7, 8 Jan 2017 – Residence at O’culto da Ajuda, Lisbon.
———
Glimpse – 5 Room Puzzle
by Tânia Carvalho
11-14 Jan 2017 – Pompidou, Paris.
26-28 Jan 2017 – Teatro Municipal Maria Matos, Lisbon.
———
2016
———
Trabalho de mesa
18 Dec 2016 – Do Liminar#6, Galeria Zaratan, Lisbon.
———
Turning Backs
Project by Lígia Soares and Rita Vilhena with Diogo Alvim
3-5 Nov 2016 – Happy Together at Mala voadora, Porto.
———
Paper presentation @ Old is New International Conference
24-26 Nov 2016 – Escola Superior de Música de Lisboa.
———
Glimpse – 5 Room Puzzle
by Tânia Carvalho
27 Nov 2016 – New Age New Time Festival. Teatro Viriato, Viseu.
19, 20 Apr 2016 – Kalp Maison Pour La Danse Marseille.
———
“Trigger Place: A game of sound and architecture”
Presentation with Matilde Meireles
30 Nov 2015 – Musica Nova Festival, Janáček Academy of Music and Performing Arts in Brno.
———
Sound composition for Do We Dream Every Night? by Vitalina Sousa
12-20 Dec 2015 – Festival Temps d’images 2015. Appleton Square, Lisbon.
———
Talk at Compôr a Escuta about Tłumaczenie for string quartet
21 Nov 2015 – Sociedade de Instrução Guilherme Cossoul, Lisbon.
———
Sound for SABOTAGE by Miguel Castro Caldas and Lígia Soares
27 > 29 Nov 2015 – Festival Temps d’images 2015. São Luiz Jardim de Inverno, Lisbon.
———
PASTICHE by Luiz Antunes and Sérgio Diogo Matias
Music – Diogo Alvim
22 Nov 2015 – New Age New Time Festival. Teatro Viriato, Viseu.
———
New project (Old School#38)
with Matilde Meireles
17 Oct 2015 – in Old School. Rua das Gaivotas 6, Lisbon.
———
Pastiche by Luiz Antunes and Sérgio Diogo Matias
Music – Diogo Alvim
5 Jun 2015 – PT.15 – Portuguese Platform for Performing Arts. Montemor-o-Novo.
———
27 Ossos – 27 Bones by Tânia Carvalho
Music for toy piano by Diogo Alvim
Toy piano – Joana Gama
27 May 2015 – La Alhóndiga, Bilbao.
———
Recomposing the City
Postgraduate Symposium: Soundspace
– Presentation with Matilde Meireles: “Trigger Place: A game of sound and architecture”
18 May 2015 – Queen’s University Belfast.
———
2 presentations at BEAST FEaST 2015 – Music – Space – Architecture – Place
– Presentation with Matilde Meireles: “Trigger Place: A game of sound and architecture”
– Travelogue#1
2 May 2015 – The University of Birmingham, UK.
———
Tłumaczenie for string quartet
by the Royal String Quartet
22 April 2014 – Sonorities Festival. Sonic Lab, SARC, Belfast.
———
radioCona:ZimaFM (Slovenia) will stream a stereo version of
Apartamento em Lisboa (narrador presente)
15 February 2015, 19:09 – FM 88.8MHz and stream.
———
COMPOSITIONAL AESTHETICS AND THE POLITICAL
Paper presentation “Composing spaces of enquiry”
20 Feb 2014- Goldsmiths University London.
———
Music for Pastiche by Luiz Antunes and Sérgio Diogo Matias
13, 14 Dec 2014 – Temps d’Images Lisboa’14. Clube Estefânia, Lisbon.
———
Espacios Sonoros 2014
Paper presentation “Composition beyond the score”
4 Dec 2014 Universidad Autónoma de Madrid.
———
PLAY
Site-specific a/v project with Matilde Meireles
24, 25 Oct 2014 – Belfast Festival.
———
Two presentations at:
Invisible Places – Sound, Urbanism and Sense of Place
– Keep an Ear to the Ground (Unlikely Places)
– Apartamento em Lisboa (narrador presente)
18–20 Jul 2014 – Viseu.
———
A Pirâmide e o Labirinto
Residency in São Paulo – final presentation
9 May 2014 – MAC / USP, São Paulo, Brazil.
———
Residency in São Paulo, Brazil
March- May – Centro Cultural São Paulo.
———
Apartamento em Lisboa (narrador presente)
Electroacoustic, 4 channels (premiere)
+
Travelogue#1
Electroacoustic, 4 channels
25 April 2014, Ibrasotope, São Paulo, Brazil.
———
Composition in the 21st Century
Paper presentation “Music and Architecture – Towards a shared approach”
6 March 2015, Trinity College, Dublin.
———
Inside Out (Situation #4) for Flute, pipes, concert hall and microphone
Flute – Simon Waters
29 Jan 2014 – Winter School: Digital Environments, Sonic Lab, SARC, Belfast.
———
Quintas Abertas – Agricultura Electroacústica
2 Jan 2014 – Miso Music Portugal, Parede.
———
Musica Viva Festival
Travelogue #1
13 Dec 2013, Teatro São Luiz – Lisbon.
———
Notation in Contemporary Music: Composition, Performance, Improvisation
Paper presentation “Playing Notated Space”
19 Oct 2013 – Symposium at Goldsmiths University London, London.
———
Inside Out (Situation#3), for Sax, pipes and concert hall
Sax – Franziska Schroeder
18 Oct 2013- Deptford Town Hall – London.
———
Unlikely Places in Lisbon
Workshop on Come Across
19-22 Sep 2013 – In Ecos by OSSO. Lisbon.
———
ICOSAHEDRON by Tânia Carvalho
Music by Diogo Alvim
21 Sep 2013 – Festival Circular. Vila do Conde.
———
MUSIC, DIGITIZATION, MEDIATION: TOWARDS INTERDISCIPLINARY MUSIC STUDIES
Poster presentation “Music and Architecture – Towards a shared approach”
11-13 Jul 2013 – Conference at the University of Oxford.
———
Peça De Embalar, excited version
EMS2013
Ricardo Jacinto (cello, composition, device concept), Nuno Torres (alto sax) and Nuno Morão (percussion), Diogo Alvim (electronics)
20 June 2013 – Culturgest, Lisbon.
———
Atraso #2
Palais de Tokyo – Chantiers d’europe lisbon-paris
Ricardo Jacinto (cello, composition, device concept), Nuno Torres (alto sax) and Nuno Morão (percussion), Diogo Alvim (electronics)
13, 14 Jun 2013- Palais de Tokyo, Paris.
———
PROBLEMA TÉCNICO by Andresa Soares
Music by Diogo Alvim
8, 9 May 2013 – Teatro Municipal São Luiz, Lisbon.
———
Come Across
Performance by Unlikely Places Ensemble.
28 Apr 2013 – Sonorities Festival. SARC, Belfast.
———
27 Ossos – 27 Bones by Tânia Carvalho
Music by Diogo Alvim
20 April 2013 – Centro Cultural Vila Flor, Guimarães.
22 Mar 2013 – Casa das Artes, Felgueiras.
———
Inside Out (Situation#2), for Sax, pipes and Sonic Lab
Alto Sax – Franziska Schroeder
14 Mar 2013 – Sonic Lab – SARC, Belfast.
———
ICOSAHEDRON by Tânia Carvalho
Music by Diogo Alvim
10, 11 Nov 2013 – Mercat de les Flors, Barcelona.
———
Provisional Title (Situation #1) for Oboe and pipes.
Oboe: Linda Walsh
25 Octo 2012 – SARC, Belfast.
———
ISMIR 2012
10 October 2012, Mosteiro de S.Bento da Vitória – Porto 22h
Music for Sax and Boxes
Tenor Saxophone: Franziska Schroeder
———
ICMC 2012 – Non-Cochlear Sound
Games Arcade
No Chords Attached
2 performances by Unlikely Places Ensemble.
9-14 Sep 2012 – Ljubljana, Slovenia.
———
GLOBAL COMPOSITION / WORLD SOUNDSCAPE CONFERENCE 2012
Come Across
Poster presentation of a performance by Unlikely Places Ensemble.
24-28 Jul 2012 – Darmstadt, Germany.
———
PROBLEMA TÉCNICO by Andresa Soares
Music by Diogo Alvim
6, 7 Jul 2012 – Fábrica Asa, Guimarães
———
27 Ossos – 27 Bones by Tânia Carvalho
Music by Diogo Alvim
18, 19 May – Rencontres chorégraphiques internationales de Seine-Saint-Denis. Espace 1789, Paris.
———
NEW PhD COMPOSITIONS 2012
Music for Sax and Boxes
2nd May, Sonic Arts Research Centre, Belfast
Saxophones: Franziska Schroeder
Works by Rob Casey, Eduard Zatriqi, Abdullah Jamal Ashraf and Diogo Alvim
View program here.
———
NETWORK MUSIC FESTIVAL
Games Arcade by Unlikely Places Ensemble
28 Jan 2012 – Birmingham.