Campo Próximo (2015-ongoing), which we loosely translated to Near Field/ Next Field, is a situated sound work created with Matilde Meireles that plays with the perception and construction of places.
The project creates dialogues between such places and the spaces in which they are presented. For each version, field recordings are composed in a way that relates the territory with the architecture of the venue.
For this iteration, different soundscapes are played back inside Panteão merging with its acoustic properties, thus generating new sonorities that form the basis of this musical construction. The concert took place on the outdoor terrace highlighting the acoustic contrast between its reverberant interior and the local sonic environment, where the audience can also glimpse the recorded locations.
This iteration was a Co-production between Osso and “Sounds Of Tourism” – INET – FCSH Nova
