{"version":"1.0","provider_name":"Diogo Alvim","provider_url":"https:\/\/diogoalvim.com\/pt","author_name":"Diogo Alvim","author_url":"https:\/\/diogoalvim.com\/pt\/author\/diogoalvim\/","title":"Sound Composition for \"Actos de L\u00edngua\" | Diogo Alvim","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"fCL9BgmvUR\"><a href=\"https:\/\/diogoalvim.com\/pt\/portfolio\/1851\/\">Composi\u00e7\u00e3o Sonora para \u201cActos de L\u00edngua\u201d<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/diogoalvim.com\/pt\/portfolio\/1851\/embed\/#?secret=fCL9BgmvUR\" width=\"600\" height=\"338\" title=\"&#8220;Sound Composition for &#8220;Actos de L\u00edngua&#8221;&#8221; &#8212; Diogo Alvim\" data-secret=\"fCL9BgmvUR\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>","thumbnail_url":"https:\/\/diogoalvim.com\/wp-content\/uploads\/2026\/03\/639728365_18079889642458117_4742357571544638267_n.jpg","thumbnail_width":1440,"thumbnail_height":960,"description":"In this video installation, Carlos M. Oliveira and James Newitt bring together their respective practices of choreography and moving image in order to address the bodily expression of language and the friction that occurs in communication between people. The work highlights differences between languages whose expression passes through the body, exposing a multiplicity of modes [&hellip;]"}