{"version":"1.0","provider_name":"Diogo Alvim","provider_url":"https:\/\/diogoalvim.com\/pt","author_name":"Diogo Alvim","author_url":"https:\/\/diogoalvim.com\/pt\/author\/diogoalvim\/","title":"Sound composition for \"Temporal\" | Diogo Alvim","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"eQNQheg9tV\"><a href=\"https:\/\/diogoalvim.com\/pt\/portfolio\/sound-composition-for-temporal\/\">Sound composition for &#8220;Temporal&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/diogoalvim.com\/pt\/portfolio\/sound-composition-for-temporal\/embed\/#?secret=eQNQheg9tV\" width=\"600\" height=\"338\" title=\"&#8220;Sound composition for &#8220;Temporal&#8221;&#8221; &#8212; Diogo Alvim\" data-secret=\"eQNQheg9tV\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>","thumbnail_url":"https:\/\/diogoalvim.com\/wp-content\/uploads\/2026\/11\/temporal_1.jpg","thumbnail_width":1550,"thumbnail_height":1080,"description":"Temporal is a drift through archival documents gathered by Carlos Oliveira, around theatre stories lived by Carlos Oliveira, his father. Starting from the coincidence of name and labour, it deals with things that do not pass, whether because they persist unchanged or because they exist without time altogether. Episodes that recur in history, but also [&hellip;]"}