{"id":1042,"date":"2021-04-21T17:18:59","date_gmt":"2021-04-21T16:18:59","guid":{"rendered":"https:\/\/diogoalvim.com\/?page_id=1042"},"modified":"2026-03-04T20:09:40","modified_gmt":"2026-03-04T20:09:40","slug":"publications","status":"publish","type":"page","link":"https:\/\/diogoalvim.com\/pt\/publications\/","title":{"rendered":"Publica\u00e7\u00f5es"},"content":{"rendered":"

Alvim, D. (2025) Noise as Unfamiliar Sound<\/strong>. In Ana Pais<\/span> e Martin Welton<\/span>, eds. Keywords: Affective Noise<\/a>.<\/em> Lisbon: NOVA University of Lisbon (ICNOVA-FCSH) and Queen Mary University of London.<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Alvim, D. (2024). Score with a View\u2014Sounding Images, Imagining Sound<\/a>. In: Correia Castilho, L., Sampaio Dias, R., Rocha, L., de Sousa Dias, A. (eds) Perspectives on Music, Sound and Musicology II<\/em>. Springer, Cham.<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Diogo Alvim e Matilde Meireles \u00a0(eds.), (2023). Expansive Territories \/ Territ\u00f3rios Expansivos<\/em><\/a>. ed. bilingue pt\/eng, online. Caldas da Rainha, Portugal: OSSO and UNESCO Chair in Arts and Cultural Management, Cities and Creativity IPLeiria (co-publishing).<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Coment\u00e1rio<\/a> sobre o filme\u00a0O Fantasma<\/em> (Jo\u00e3o Pedro Rodrigues)
\npara\u00a0Topografias Imagin\u00e1rias – O Som da Cidade no Cinema II
\n<\/em>Arquivo Municipal de Lisboa
\nNovembro 2022<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Entrevista para “Fora de P\u00e9”<\/a>
\nUm podcast por Carla Lopes para Radio Antec\u00e2mara<\/a>
\n11 Maio 2022<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Entrevista para M\u00fasica de Inven\u00e7\u00e3o e Pesquisa, Centro de Investiga\u00e7\u00e3o e Informa\u00e7\u00e3o da M\u00fasica Portuguesa
\nAudio<\/a>\u00a0\/\u00a0Video<\/a>
\nUm programa da Miso Music para a Antena 2
\nAbril 2022<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Diogo Alvim, “String Quartet – Reconfiguring an Old Typology”, in Old is New – The Presence of the Past in the Music of the Present<\/em><\/a> (CESEM International Conference Proceedings), Isabel Pires (coord.), Filipa Magalh\u00e3es and Riccardo Wanke (Eds.), \u00a0(2022)<\/span><\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Diogo Alvim, “Composition as Artistic Device<\/a>“, In:\u00a0Correia Castilho L., Dias R., Pinho, F. (eds) Perspectives on Music, Sound and Musicology<\/em>, Springer\u00a0Series\u00a0in\u00a0Systematic Musicology (2021)<\/span><\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Folies Charbon<\/strong>
\nPublicado em \"Scoring the city<\/a>\u201c (2020), um projecto de Gascia Ouzounian (University of Oxford \/ Recomposing the City) e John Bingham-Hall (Theatrum Mundi)<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Musica Hoje<\/strong><\/a>
\nEntrevista pela Miso Music e Mic.pt para a Antena 2
\n6 Set 2019<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Diogo Alvim, \u201cAs the World Leaks into the Work: Composition and architecture.<\/a>\u201d, Organised Sound, 23(1), 51-60.<\/i> (2018),\u00a0<\/span> doi:<\/i>10.1017<\/i>\/S1355771817000279<\/i><\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Diogo Alvim, Pe\u00e7a com Vista<\/i>,\u00a0Revista Glosas n.18<\/a>, Maio 2018<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Matilde Meireles e Diogo Alvim, \u201cTrigger Place \u2014 A Game of Sound and Architecture<\/a>\u201d, Journal for Artistic Research<\/i>, 14 (2017), www.jar<\/i>-online.net<\/i><\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Diogo Alvim, Music Through Architecture – Towards an Expanded Practice<\/a>. In Bell, D., et. al. eds. Mind the Gap! Working papers on practice based doctoral research in the creative arts and media<\/i>, (2016) National College of Art and Design, Dublin, 2016.<\/p>\n

\u2014\u2014\u2014<\/strong><\/p>\n

Diogo Alvim, Composition Beyond the Score<\/a>. In Arribas, J., et. al. eds. Espacios Sonoros y Audiovisuales 2014: Experimentaci\u00f3n Sensorial y Escucha Activa<\/i>, (2016)\u00a0Universidad Aut\u00f3noma de Madrid, 2016.<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Alvim, D. (2025) Noise as Unfamiliar Sound. In Ana Pais and Martin Welton, eds. Keywords: Affective Noise. Lisbon: NOVA University of Lisbon (ICNOVA-FCSH) and Queen Mary University of London. \u2014\u2014\u2014 Alvim, D. (2024). Score with a View\u2014Sounding Images, Imagining Sound. In: Correia Castilho, L., Sampaio Dias, R., Rocha, L., de Sousa Dias, A. (eds) Perspectives […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"acf":[],"aioseo_notices":[],"yoast_head":"\nPublications | Diogo Alvim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diogoalvim.com\/pt\/publications\/\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications | Diogo Alvim\" \/>\n<meta property=\"og:description\" content=\"Alvim, D. (2025) Noise as Unfamiliar Sound. In Ana Pais and Martin Welton, eds. Keywords: Affective Noise. 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