{"id":31,"date":"2017-02-01T11:36:55","date_gmt":"2017-02-01T11:36:55","guid":{"rendered":"http:\/\/saraorsi.com\/demo\/diogoalvim\/?page_id=31"},"modified":"2025-08-29T15:57:03","modified_gmt":"2025-08-29T14:57:03","slug":"about","status":"publish","type":"page","link":"https:\/\/diogoalvim.com\/pt\/about\/","title":{"rendered":"Sobre"},"content":{"rendered":"
contact: info@diogoalvim.com<\/a><\/div>\n
mailing list: not\u00edcias (mailing list)<\/a><\/div>\n
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Diogo Alvim trabalha na fronteira entre a m\u00fasica e a artes sonoras, explorando as suas intera\u00e7\u00f5es com a arquitectura, e contextos espec\u00edficos. Interessa-se por expandir a pr\u00e1tica da composi\u00e7\u00e3o sonora enquanto dispositivo de investiga\u00e7\u00e3o e transforma\u00e7\u00e3o.<\/p>\n<\/div>\n

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Formou-se em arquitectura e composi\u00e7\u00e3o em Lisboa, e em 2016 terminou um doutoramento em composi\u00e7\u00e3o e artes sonoras no Sonic Arts Research Center da Queen\u2019s University Belfast. A sua investiga\u00e7\u00e3o explorou diferentes rela\u00e7\u00f5es entre m\u00fasica e arquitetura.<\/span><\/div>\n

\nLeciona artes sonoras na Licenciatura e no Mestrado de Som e Imagem na\u00a0ESAD<\/a>\u00a0(Caldas da Rainha) e \u00e9 investigador integrado do\u00a0CESEM<\/a>, FCSH – NOVA.
\nColabora regularmente com artistas pl\u00e1sticos, core\u00f3grafos e encenadores, em produ\u00e7\u00f5es t\u00e3o diversas como instala\u00e7\u00f5es, video, dan\u00e7a, percursos performativos, e outros cruzamentos.
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\nSome examples of his work: Solo,<\/em> a sound installation for Galeria Diferen\u00e7a<\/em> in Lisbon; Music for Sax and Boxes (2025 version), <\/em>a piece for tenor sax and installation at the ISCM World New Music Days Festival<\/em>, (CCB Lisbon); \u00a0Afluente,<\/em> a sound installation for the entrance to the Portuguese Pavilion at the Osaka Expo 2025; Sound for O Futuro do Esquecimento,<\/em>, a video-photographic installation by T\u00e2nia Moreira David (Galeria Imago, 2024); Campo Pr\u00f3ximo<\/em> com Matilde Meireles (Sonorities Festival <\/em>Belfast 2024) M\u00fasica para \u2018Mysterious Heart\u2019<\/em> de T\u00e2nia Carvalho (Tanzmainz<\/em>, Mainz, Alemanha, 2024), Can\u00e7\u00e3o Nova, <\/em>com Andr\u00e9 Guedes (O Museu como Performance, 2023 <\/em>Museu de Serralves); Os Passos em Volta – Alc\u00e2ntara, <\/em>caminhada performativa com Joana Braga (Festival Temps d\u2019Images 2023<\/em>); Jogo Duplo<\/em> para o Sond\u2019Ar-te Trio (Festival Musica Viva 2023<\/em>); Posi\u00e7\u00e3o Relativa, <\/em>no concerto Arquitectura dos Sons<\/em> \u2013 integrado nas comemora\u00e7oes do centen\u00e1rio de Iannis Xenakis, Funda\u00e7\u00e3o Gulbenkian 2023); Os Passos em Volta – Trafaria,<\/em> caminhada performativa com Joana Braga, 2022 (Territ\u00f3rios N\u00f3madas<\/em>, NOVA-FCSH); M\u00fasica para \u2018Uma Sequ\u00eancia Inevit\u00e1vel de Acontecimentos\u2019<\/em> de T\u00e2nia Carvalho, Dan\u00e7as na Cidade<\/em> – RTP\/ CNB, 2022); Campo Pr\u00f3ximo<\/em> com Matilde Meireles, Convento S\u00e3o Francisco, Coimbra e Festival Lisboa Soa<\/em>, 2020);\u00a0 M\u00fasica para 'S'<\/em>, de T\u00e2nia Carvalho (Companhia Nacional de Bailado com a Orquestra Sinf\u00f3nica Portuguesa, 2018); Festival Musica Viva<\/em> 2018<\/em> ); Chantiers d’Europe<\/em> \u2013 Th\u00e9\u00e2tre de la Ville (artista em residencia na Cit\u00e9 Internationale des Arts, Paris, 2018). Material Music<\/em>, para uma pe\u00e7a de Ramiro Guerreiro (CNEAI, Pantin, France, 2017); Da Tradu\u00e7\u00e3o<\/em>, em Do Liminar#6<\/em> (Galeria Zaratan, Lisboa, 2016); T\u0142umaczenie<\/em>\u00a0(Sonorities Festival<\/em> com o Royal String Quartet, 2015); Play<\/em> com Matilde Meireles (Belfast Festival<\/em>, 2014); Apartamento em Lisboa – Narrador Presente <\/em>(Ibrasotope#60, <\/em>2014 e Festival Musica Viva, <\/em>2018); A Pir\u00e2mide e o Labirinto<\/em> (MAC-USP S\u00e3o Paulo, Brazil, 2014); Notation in Contemporary Music<\/em> Conferencia na Goldsmiths University (London, 2013); No Chords Attached<\/em> (ICMC 2012<\/em> com Unlikely Places, Ljubljana); M\u00fasica para Saxofone e Caixas<\/em> (ISMIR 2012, <\/em>Porto); Shift, <\/em>para o Pr\u00e9mio Jovens M\u00fasicos<\/em> 2009 (encomenda da RDP - Antena 2); Dist\u00e2ncia (Ocupa\u00e7\u00e3o_3)<\/em>, Festival Synth\u00e8se<\/em> 2009 (Bourges); Workshop para Jovens Compositores da Orquestra Gulbenkian (2008 e 2009).<\/span><\/span><\/div>","protected":false},"excerpt":{"rendered":"

contact: info@diogoalvim.com mailing list: news (mailing list)   Diogo Alvim works between music and sound arts, exploring their interactions with architecture, specific contexts, and other arts. He is interested in expanding the practice of sound composition as a research and transformation device.   He studied architecture and composition in Lisbon. In 2016 he finished a […]<\/p>","protected":false},"author":1,"featured_media":109,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"acf":[],"aioseo_notices":[],"yoast_head":"\nAbout | Diogo Alvim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diogoalvim.com\/pt\/about\/\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"About | Diogo Alvim\" \/>\n<meta property=\"og:description\" content=\"contact: info@diogoalvim.com mailing list: news (mailing list)   Diogo Alvim works between music and sound arts, exploring their interactions with architecture, specific contexts, and other arts. 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